“The Hurt Locker was a beautiful, brave film; many young women in film were inspired as they watched you become the first woman ever to win an Oscar for directing. But with Zero Dark Thirty, you have attained a different kind of distinction.
Your film Zero Dark Thirty is a huge hit here. But in falsely justifying, in scene after scene, the torture of detainees in "the global war on terror", Zero Dark Thirty is a gorgeously-shot, two-hour ad for keeping intelligence agents who committed crimes against Guantánamo prisoners out of jail. It makes heroes and heroines out of people who committed violent crimes against other people based on their race – something that has historical precedent.
Your film claims, in many scenes, that CIA torture was redeemed by the "information" it "secured", information that, according to your script, led to Bin Laden's capture. This narrative is a form of manufacture of innocence to mask a great crime: what your script blithely calls "the detainee program"....
....You claim that your film is "based on real events", and in interviews, you insist that it is a mixture of fact and fiction, "part documentary". "Real", "true", and even "documentary", are big and important words. By claiming such terms, you generate media and sales traction – on a mendacious basis. There are filmmakers who work very hard to produce films that are actually "based on real events": they are called documentarians. Alex Gibney, in Taxi to the Dark Side, and Rory Kennedy, in Ghosts of Abu Ghraib, have both produced true and sourceable documentary films about what your script blithely calls "the detainee program" – that is, the regime of torture to generate false confessions at Guantánamo and Abu Ghraib – which your script claims led straight to Bin Laden.
Fine, fellow reporter: produce your sources. Provide your evidence that torture produced lifesaving – or any – worthwhile intelligence.
But you can't present evidence for this claim. Because it does not exist.
Five decades of research, cited in the 2008 documentary The End of America, confirm that torture does not work. Robert Fisk provides another summary of that categorical conclusion. And this 2011 account from Human Rights First rebuts the very premise of Zero Dark Thirty.
Your actors complain about detainees' representation by lawyers – suggesting that these do-gooders in suits endanger the rest of us. I have been to see your "detainee program" firsthand. The prisoners, whom your film describes as being "lawyered up", meet with those lawyers in rooms that are wired for sound; yet, those lawyers can't tell the world what happened to their clients – because the descriptions of the very torture these men endured are classified.....
...In a time of darkness in America, you are being feted by Hollywood, and hailed by major media. But to me, the path your career has now taken reminds of no one so much as that other female film pioneer who became, eventually, an apologist for evil: Leni Riefenstahl. Riefenstahl's 1935 Triumph of the Will, which glorified Nazi military power, was a massive hit in Germany. Riefenstahl was the first female film director to be hailed worldwide.
It may seem extreme to make comparison with this other great, but profoundly compromised film-maker, but there are real echoes. When Riefenstahl began to glamorize the National Socialists, in the early 1930s, the Nazis' worst atrocities had not yet begun; yet abusive detention camps had already been opened to house political dissidents beyond the rule of law – the equivalent of today's Guantánamo, Bagram base, and other unnameable CIA "black sites". And Riefenstahl was lionised by the German elites and acclaimed for her propaganda on behalf of Hitler's regime.
But the world changed. The ugliness of what she did could not, over time, be hidden. Americans, too, will wake up and see through Zero Dark Thirty's apologia for the regime's standard lies that this brutality is somehow necessary. When that happens, the same community that now applauds you will recoil.
Like Riefenstahl, you are a great artist. But now you will be remembered forever as torture's handmaiden.” Guardian online 5/1/13